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By Ilmi Khalid
Every year during Eidul Adha, we revisit a timeless story: the trials of Prophet Ibrahim peace be upon him, the unwavering faith of his wife Siti Hajar, and the noble submission of their son, Prophet Ismail peace be upon him. We reflect on the pilgrimage, the sacrifice, the qurban (sacrifice) meat distributed to the needy, and the spiritual lessons behind it all.
But rarely do we pause to reflect on the knife -- the silent witness to that moment of obedience, the tool chosen by Allah to play a role in a divine test.
The Knife in Prophet Ibrahim’s Hand
In that moment, Prophet Ibrahim peace be upon him held a knife to show devotion, to obey. It was a test from Allah — a command that cuts deeper than any blade. The knife in his hand became a symbol of obedience, trust, and surrender to Allah. And yet — Allah intervened. And in place of his son, a ram was sent — and that ram was sacrificed. “And We ransomed him with a great sacrifice.” — Surah As-Saffat (Quran 37:107) The story ends with mercy and the knife played its role, as a tool of submission and spiritual strength. 
Is Eidul Adha Related to Hajj?
Yes — Eidul Adha is directly tied to the Hajj pilgrimage, both in timing and meaning. While Muslims around the world gather for the Eid prayer and offer qurban, millions of pilgrims in Makkah are completing the rites of Hajj — a sacred journey that retraces the footsteps of Prophet Ibrahim, Siti Hajar, and Ismail Eidul Adha falls on the 10th of Dhul Hijjah, right after the most critical day of Hajj: Arafah (9th Dhul Hijjah). During this period, both pilgrims and non-pilgrims perform qurban (animal sacrifice), commemorating the moment Allah replaced Prophet Ismail with a ram. Eidul Adha is the spiritual echo of Hajj — a global reminder of submission, sacrifice, and divine mercy. 
The Ethical Blade
Here in Malaysia, this spiritual ethic lives on. In the days before Eidul Adha, local bladesmiths become busy sharpening knives — for the sacred duty of qurban. A well-sharpened blade ensures a swift, merciful slaughter with the least amount of pain for the animal. This is ihsan in action — excellence in worship, compassion in ritual, and discipline in practice. The knife, when held by hands guided by taqwa (God-consciousness), becomes a symbol of mercy, discipline, obedience, and service to Allah.
Why I Wrote Basic Silat Knife Drills
As a martial artist, I’ve always believed that the Silat blade training teaches us more than movement. It teaches us responsibility. It sharpens not just our reflexes — but our intention. The pisau belati — the traditional Malay knife — seems like a harmless daily utility tool used by the ladies of the past. However, in the hands of a trained practitioner, it can be a deadly instrument of combat. In my ebook Basic Silat Knife Drills, I share: • Foundational solo drills with the knife • Ethical and practical principles of self-control and awareness • Warrior stories that echo the values of discipline and service • A structured training guide that is easy to use This isn’t a manual for violence. It’s a journey toward mastery, restraint, and readiness. 
Eidul Adha Offer: 20% OFF
In celebration of Eidul Adha, I’m offering a 20% discount on the Basic Silat Knife Drills ebook until June 12, 2025.
A Final Reflection
This Eid, let’s not forget the knife. It was present in that sacred moment — still, ready, obedient. It reminds us that tools are only as meaningful as the hands that wield them… and the intention behind the action. This Eidul Adha, may our sacrifices be sincere, our tools be guided by mercy, and our hearts be tethered to Allah. Eid Mubarak. — Ilmi Khalid Seni Bilah Melayu Silat Academy
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Bismillah.
Alhamdulillah. After months of work — planning, structuring, writing, rewriting, designing, and praying — I’m proud to finally announce that my first eBook, Basic Silat Knife Drills, is now published and available for purchase on Payhip. Buy the book now
What’s in the Book?
This 120+-page guide is the first in a growing series under the Seni Bilah system — my personal take on traditional Malay blade training, rooted in the teachings of my late master Guru Jak Othman, and continued under Guru Wan Yusmar.
Inside the book:
Whether you're a silat student, martial arts teacher, or someone interested in self-protection with meaning, this book is designed to be useful, beautiful, and filled with spirit. Why I Wrote This
I’ve taught martial arts for years — Muay Thai, Kickboxing, and Silat — but I’ve always wanted to preserve what was taught to me in a format that others can access anytime, anywhere. This book is not just technique. It’s philosophy, history, discipline, and heart.
It’s the beginning of a legacy — and inshaAllah, one of many to come. What’s Next?
I’m already working on the next titles in this series:
Follow my journey on TikTok, Medium, and right here on ilmkhal.com. I’ll also be offering bundles, affiliate rewards, and some exclusive behind-the-scenes content soon. 
Final Words
This is more than just a product. It’s a small offering in the way of Allah, for those seeking strength with purpose. If you’ve been following my content, or you’ve ever trained with me, or you simply want to support meaningful martial work — this book is for you.
Click here to get the eBook From the heart, Ilmi Khalid Founder of Seni Bilah Melayu, Silat Academy | ilmkhal.com The kerambit is not a showpiece. It’s a weapon born of purpose — forged in the shape of a claw, made to tear, not just to slice. When I train with it, I don’t move for the sake of motion. I move because every gesture has a reason.  Normal reverse grip Watching back the recent footage, I saw what I needed to see. The form was clean. Wrist control was solid. No flair, no flourish — just honest mechanics. Forward grip. Reverse grip. The transitions flowed. The blade knew where it was supposed to be.  Click on this screenshot image to watch this Kerambit video. I only recently adopted the full forward grip in my kerambit training. Before this, I trained mostly in reverse grip, and sometimes transitioned into a half-forward grip — where the ring slides onto the middle finger instead of the little finger. That variation gave me reach and control. But full forward grip shifts a lot of things. The angle. The feel. The speed. It’s like being one with the blade — not just holding it, but wearing it. Movement becomes more instinctive, more alive. Still unfamiliar. Still raw. But worth exploring.  Full forward grip Sometimes, my wrist tensed a little. Not much — just enough to notice. That kind of stiffness slows down a live blade. In real use, that half-second matters. Something to refine. Maybe I was still thinking with my brain instead of letting the muscles lead — a side effect of adapting to the new grip. Footwork held its ground. The steps weren’t loud. They didn’t have to be. Silat teaches you to move with the shape of the fight — triangular steps, shifting weight, reading space. It felt natural. But I think I should demonstrate more in the lower stances — where Silat and weapons truly dominate. Dropping down at the right moment adds layers: deception, evasion, even timing traps.  Combo Kerambit grips The bladework itself? It felt alive. Hook, slash, recoil. Flip, cut, redirect. The kind of movement built over hours of repetition. The kind that starts in the hand, but ends in the whole body. In one sequence, I managed a double-action — cutting forward, then back on the return. That’s the kind of moment that reminds me I’m on the right path. But I keep a mantra close: don’t flip the kerambit unnecessarily — as drummed into my head by the late Silat master, Guru Jak. May Allah have mercy on his soul. Say Aamiin, and send more prayers his way. His dedication and contributions to Malaysian Silat were tremendous. Every flip must serve a purpose — to cut, to trap, or to hurt. Otherwise, it’s just noise. And motion without meaning is wasted in combat. I’ve got no interest in wasted motion. When you train alone, rhythm becomes your sparring partner. Mine felt right. Not constant — but steady. Shifting from flurries to stillness. That contrast builds tension. Stillness before the storm makes the storm hit harder.  Combo Kerambit grips Style-wise, I see my roots showing. Harimau Berantai, the style I studied for many years, gives my movement its grounded, instinctive flow. The newer Silat Sekilat system adds layers of tactics — stripping away rigid forms while giving me more freedom to express, to explore, and to stay effective and in full control of the weapon. Some comments suggested a ghost of Filipino influence in the rotations. But I beg to differ — I’ve never trained in Filipino arts. The only non-Malay art I studied briefly was Krabi Krabong and Muay Boran. And a Thai guru once told me: their mother art is Silat. Controversial? Maybe. But for me, the heart is Silat. Not performance. Not theatre. Just movement built for impact. What I appreciated most, reviewing the footage, is that I didn’t waste motion. The blade stayed close to my centerline. Extended only when it needed to. Every movement had a place, a reason. And that’s what separates play from practice.  Combo Kerambit grips Still, if I want to make this educational — for students, for the curious — I need to show more. A dummy arm. A capable training partner. Something to map the intention behind the movement. Where does the blade land? What does it do? Why does it move that way? This video was a checkpoint. A reminder that I’m not here to impress. I’m here to express. To sharpen what I know — and share it in a way that’s honest. The kerambit teaches that economy of motion is power. And power, used right, is quiet.  If you are looking for a Kerambit video course, check out this promo video I made my for teacher, Guru Wan Yusmar, who has a digital product on Kerambit available on Gumroad. https://ilmkhal.gumroad.com/l/kerambit A Creative Evolution
I’ve been living and breathing motion design and video editing since the mid-2000s. For most of that time, Adobe was at the heart of my creative world. Premiere Pro, After Effects, Photoshop, and Illustrator were my go-to tools for countless personal and professional projects.
However, after years of reliance, I started questioning: Is it time to switch from Adobe to something better? The First Breakup: Premiere Pro to DaVinci Resolve
In 2021, I made the first major move in my creative journey — I dropped Adobe Premiere Pro.
Why? I discovered a better alternative: DaVinci Resolve. That year, I bought the Blackmagic Design Speed Editor, which came bundled with a free license of DaVinci Resolve Studio. While I had already explored the free version, the full version was a game-changer. It quickly became my go-to video editing software because of its clean, powerful, and stable features — and, importantly, no monthly fees. Simultaneously, I began upskilling myself to become a colorist using DaVinci Resolve. The software simply made sense to me. Even with Adobe’s flashy updates, I never once felt tempted to return. If I considered another option, it would be Final Cut Pro, a one-time payment model I’ve appreciated from my past experience. You can check out one of my recent works, fully edited using DaVinci Resolve Studio, here: Kerambit Digital Video Product on Gumroad. 
Breaking Free from After Effects with Fusion
While DaVinci Resolve also includes Fusion, Blackmagic’s answer to After Effects, I didn’t immediately jump ship. After Effects had become deeply integrated into my workflow.
I started exploring Fusion with each new project, gradually pushing myself to rely on it more. But after unsubscribing from Adobe Creative Cloud, I found myself resubscribing to After Effects to meet a client deadline. I successfully delivered the project, but it was clear: I was still dependent on Adobe for motion design work. That said, with every new project, I’m using Fusion more seriously. The gap is closing — I’m not 100% free yet, but I’m almost there. Moving Away from Adobe: The Final Straw with Photoshop and Illustrator
I’ve had my eye on Affinity Designer 2 and Affinity Photo 2 for a while. So recently, I revisited the Affinity website and found something that caught my attention:
• A six-month free trial • 50% off the full bundle — only MYR399 for a one-time payment That was my Adobe deal-breaker. I made the jump. First Impressions: Affinity Designer 2 and Affinity Photo 2
After diving into Affinity Designer 2 and Affinity Photo 2, I’m genuinely impressed. The best part? I can seamlessly open old Illustrator and Photoshop files without major issues. That alone made the transition much smoother.
During a recent project, I needed something akin to Lightroom to make my photos pop. While I haven’t found the perfect replacement yet, I discovered that Affinity Designer allows me to apply LUTs directly to image layers — a workaround that worked quite beautifully. I wish they allow quick previews I select my preferred LUT. That option should be available one day, sooner or later, Projects Created During the Transition
Here are some projects I’ve worked on during my switch to Affinity:
The Partial Goodbye: Adobe, Thanks for the Memories
After overcoming the last hurdle, I can confidently say: my transition from Adobe Creative Cloud to Affinity is nearly complete.
The best part? I’ve cut down on monthly costs while switching to tools that work — and work well. So, here’s to a new chapter. Welcome, Affinity. Au Revoir, Adobe — and thanks for all the beautiful (but sometimes painful) years. Download Affinity & Davinci Resolve
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